{"id":16581,"date":"2022-08-12T10:58:58","date_gmt":"2022-08-12T15:58:58","guid":{"rendered":"https:\/\/tilt-up.org\/tilt-uptoday\/?p=16581"},"modified":"2025-10-28T11:07:06","modified_gmt":"2025-10-28T16:07:06","slug":"chapel-of-st-ignatius-in-seattle-wins-aias-2022-twenty-five-year-award","status":"publish","type":"post","link":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/2022\/08\/12\/chapel-of-st-ignatius-in-seattle-wins-aias-2022-twenty-five-year-award\/","title":{"rendered":"Chapel of St. Ignatius in Seattle Wins AIA\u2019S 2022 Twenty-Five Year Award"},"content":{"rendered":"\n\n<figure class=\"wp-block-image size-full is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/A.jpg\" alt=\"\" class=\"wp-image-16588\" width=\"680\" height=\"539\" srcset=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/A.jpg 1024w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/A-300x238.jpg 300w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/A-768x609.jpg 768w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>By <strong>Mitch Bloomquist<\/strong><\/p>\n\n\n\n<p>Images by <strong>Paul Warchol<\/strong><\/p>\n\n\n\n<p>The American Institute of Architects (AIA) is honoring the Chapel of St. Ignatius in Seattle, designed by Steven Holl Architects, with its Twenty-five Year Award. AIA announced the honor during an awards ceremony at the A\u201922 conference in Chicago, lauding the project as a \u201cbuilding that has set a precedent for the last 25\u201335 years and continues to set standards of excellence for its architectural design and significance,\u201d according to an AIA press release.<\/p>\n\n\n\n<p>The Chapel of St. Ignatius serves as one of the greatest examples of the architectural potential of tilt-up construction. The project is highly regarded by architectural critics, students, and professionals, and is widely publicized. In an article entitled \u201cTo the Lighthouse\u201d for Time, Richard Lacayo wrote, \u201cOne of the most widely studied churches of the past few years has been Steven Holl\u2019s Chapel of St. Ignatius.\u201d Noted authors Kenneth Frampton, Robert McCarter, and Holl himself have specifically called out the construction method as a major contributor to the success of the project.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/1-815x1024.jpg\" alt=\"\" class=\"wp-image-16584\" width=\"680\" height=\"854\" srcset=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/1-815x1024.jpg 815w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/1-239x300.jpg 239w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/1-768x965.jpg 768w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/1.jpg 1024w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>Holl\u2019s introduction and approach to the application of tilt-up technology lend great insight to the success of the project. His understanding of the method\u2019s potential led him to utilize tilt-up on several other projects including the Planar House in Arizona and the Avi Telyas residence on Long Island. \u201cI am inspired by the potential that architecture can tell you how it is made and that structure can be a core part of the meaning of a project,\u201d said Holl. \u201cThe Chapel concept \u2018seven bottles of light in a stone box\u2019 became possible when we envisioned the tilt-up as \u2018giant stone fragments,\u2019 which could interlock in a sculptural way. I see many opportunities to explore these ideas further.\u201d<\/p>\n\n\n\n<p><strong>The Stone Box<\/strong><\/p>\n\n\n\n<p>Holl\u2019s concept for The Chapel of St. Ignatius, \u201cseven bottles of light in a stone box,\u201d is expressed through the tilt-up method of construction, though it did not start out that way. Initially, Holl envisioned the use of stone, a material traditionally employed for religious construction, as the primary material for the structure\u2019s exterior. \u201cHowever, in a demonstration of [Frank Lloyd] Wright\u2019s aphorism \u2018limits have always been the best friends of the architect,\u2019 budgetary limitations resulted in the decision to construct the outer walls as tilt-up concrete,\u201d writes McCarter in his monograph of Holl\u2019s work.&nbsp;<\/p>\n\n\n\n<p>Thomas Taylor, PE, Managing Principal for Datum Engineers Inc., worked closely with the design team on the transition from masonry to tilt-up, and said Holl was open to the idea from the beginning. \u201cI was inspired by tilt-up construction years before when I visited the Kings Road House by Rudolf Schindler,\u201d said Holl.<\/p>\n\n\n\n<p>Holl and Frampton point to both the practical project savings provided by the method and the benefits afforded by the material, agreeing that the integral-color, site-cast concrete panels \u201cdefine a tectonic more direct and far more economical than stone veneer.\u201d<sup>1<\/sup>&nbsp;<\/p>\n\n\n\n<p>The poetry of Steven Holl\u2019s application of the tilt-up method resides in the interaction between desired effect and its inherent manifestation in the construction method. \u201cWhen seen from the outside,\u201d McCarter writes, \u201cthe integrally colored tilt-up concrete walls together form flat vertical surfaces precisely revealing the shape of the interior section, and emphasizing through their monolithic materiality the way in which the inner space presses out against the rectangular limits of the volume.\u201d<\/p>\n\n\n\n<p>Openings occur strategically within the joint between two panels and at the edges of panels, interacting with the roof, building corner, and ground. The opportunistic placement of the openings accentuates the joints and dissolves the appearance of a panelized fa\u00e7ade. \u201cThe complexly interlocking tilt-up concrete walls, each a different size and shape, are like the pieces of a puzzle in the way they reveal the process of assembly, and in their combination of massive panels and intimate apertures they have an ambiguous sense of scale,\u201d writes McCarter. \u201cQuite different from that which would have been imparted by the repetitive pieces of stone cladding that were initially considered.\u201d<\/p>\n\n\n\n<p>At the corners of the building, the concrete panels interlock to reveal the load-bearing thickness of the panels.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/2-832x1024.jpg\" alt=\"\" class=\"wp-image-16585\" width=\"680\" height=\"837\" srcset=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/2-832x1024.jpg 832w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/2-244x300.jpg 244w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/2-768x945.jpg 768w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/2.jpg 1024w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/3-796x1024.jpg\" alt=\"\" class=\"wp-image-16586\" width=\"680\" height=\"875\" srcset=\"https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/3-796x1024.jpg 796w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/3-233x300.jpg 233w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/3-768x989.jpg 768w, https:\/\/tilt-up.org\/tilt-uptoday\/wp-content\/uploads\/2022\/08\/3.jpg 1024w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p><strong>A Master Class Everyone Attends but Few Comprehend<\/strong><\/p>\n\n\n\n<p>The Chapel of St. Ignatius is like a master class in tilt-up that everyone took, but few have put the lessons learned into action. Holl\u2019s masterful demonstration of the potential for tilt-up to produce canonical architecture is, for many architects, their first (and often only) exposure to the tilt-up construction method. The application of the technology was extraordinarily creative as the method had, at the time, a reputation for use primarily on industrial structures.&nbsp;<\/p>\n\n\n\n<p>Low cost, low technology movements in architecture are nothing new. The ideas of reusing shipping containers as building blocks, or inflatable balloons covered in concrete as shelter, continue to be studied by architectural students and professionals, and are continuously discussed in great depth by serious architectural publications. Many of these ideas lack broad-based support from developers and contractors\u2014something tilt-up construction has enjoyed for decades.&nbsp;<\/p>\n\n\n\n<p><strong>An Evocative and Time-Honored Material<\/strong><\/p>\n\n\n\n<p>Many of the Twenty-five Year Award recipients celebrated over the years feature concrete. Concrete is an evocative and time-honored material. It is both historic and cutting edge. The ancient materials of water, sand, stone, and cement combine with high-tech admixtures to form a material so relevant that, after water, it is the most widely used material in the world.<\/p>\n\n\n\n<p>In the case of The Chapel of St. Ignatius, the \u201cstone box\u201d is aging gracefully. \u201cI was in Seattle for the Vitra Kahn exhibit at Holl\u2019s Bellevue Art Museum,\u201d said McCarter. \u201cSteven and I spent an hour in St. Ignatius Chapel that evening, with choirs rehearsing for a concert. It is in terrific shape for the celebration. The tilt-up slabs look terrific, aged and ageless, like Unity Temple.\u201d<\/p>\n\n\n\n<p><strong>About AIA\u2019s Twenty-Five Year Award<\/strong><\/p>\n\n\n\n<p>The Twenty-five Year Award showcases buildings that set a precedent. The award is conferred on a building that has stood the test of time for 25\u201335 years and continues to set standards of excellence for its architectural design and significance.<\/p>\n\n\n\n<p>Past winners of the Twenty-Five Year Award include Burton Barr Phoenix Central Library by Will Bruder Architects and DWL Architects + Planners (2021); Conjunctive Points\u2014The New City in Culver City, CA, by Eric Owen Moss Architects (2020); Venturi, Scott Brown and Associates\u2019 Sainsbury Wing at the National Gallery in London (2019); Pei Cobb Freed &amp; Partners\u2019 design for The Grand Louvre\u2014Phase 1 in Paris (2017); EHDD\u2019s design for the Monterey Bay Aquarium in Monterey, CA (2016); and the Broadgate Exchange House in London, designed by Skidmore, Owings &amp; Merrill (2015). AIA did not confer a Twenty-Five Year Award in 2018.<\/p>\n\n\n\n<p><sup>1<\/sup> Steven Holl, The Chapel of St. Ignatius (New York, NY: Princeton Architectural Press, 1999).&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">By Mitch Bloomquist Images by Paul Warchol The American Institute of Architects (AIA) is honoring the Chapel of St. Ignatius in Seattle, designed by Steven Holl Architects, with its Twenty-five Year Award. AIA announced the <a class=\"mh-excerpt-more\" href=\"https:\/\/tilt-up.org\/tilt-uptoday\/es\/2022\/08\/12\/chapel-of-st-ignatius-in-seattle-wins-aias-2022-twenty-five-year-award\/\" title=\"Chapel of St. Ignatius in Seattle Wins AIA\u2019S 2022 Twenty-Five Year Award\"> Leer m\u00e1s\u2026<\/a><\/div>","protected":false},"author":6,"featured_media":16588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[366,371],"tags":[],"class_list":{"0":"post-16581","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-architecture-design","8":"category-award-winners"},"_links":{"self":[{"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/posts\/16581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/comments?post=16581"}],"version-history":[{"count":9,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/posts\/16581\/revisions"}],"predecessor-version":[{"id":19100,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/posts\/16581\/revisions\/19100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/media\/16588"}],"wp:attachment":[{"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/media?parent=16581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/categories?post=16581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tilt-up.org\/tilt-uptoday\/es\/wp-json\/wp\/v2\/tags?post=16581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}